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about this section:
Investigation of the poetics/politics of intentionality may be considered as a significant element of this section, as well as questions of canon formation, public access, the reviewing process, etc. These writings may be original or reprinted (by permission), and will include conference papers relevant to the HOW2 project. Reflections on the poem-making process are encouraged, as well as more formal essays. Bios and photos are always requested; when they don't appear, it is at the discretion of the writer.
Please direct inquiries about issue 9’s readings
to Kate Fagan <kfag6311@mail.usyd.edu.au>
On Genvevieve Taggard:
Coordinated by Julia Lisella
Bio: Julia Lisella is a poet and a Lecturer on History and Literature at Harvard University. Her first contribution to How2 was a review of Lola Ridge’s book, Firehead (1929), in the previous issue’s Readings Section. She is currently working on a book about modernism and maternity based on her dissertation, which featured a chapter on Genevieve Taggard. Her poems appear in such journals as Pleiades and Crab Orchard Review and her book reviews appear in such publications as The Women’s Review of Books and The Italian American Review. She helps edit the online journal, The Mystic River Review.
Julia Lisella “Genevieve Taggard As a Rediscovered Modernist: Some Introductory Comments”
Julia Lisella “‘The Work of Lyric Discourse in a Long Poem by Genevieve Taggard”
Daly, “title”
Nancy Berke, “Lines that Come with Age: American Women Poets and the Challenge of Midlife: An Excerpt”
Van Nyh, “title”
Catherine Daly, “For Eager Lovers” a Review
Catherine Daly, “Hawaiian Hilltop” a Review