Anne-Marie Albiach

Eleanor Antin

alerts(
Being Antinova – HOW(ever), November, 1984 (Vol. 2 No. 1)

Nuala Archer

Rae Armantrout

Natalie Clifford Barney

(Translator's notes and bio)

Works:
Un panier de framboises, translated by Patrice Titterington – HOW(ever), January, 1989 (Vol. 5 No. 2)

Faith Beckett

Dodie Bellamy

Lisa Bernstein

Mei-mei Berssenbrugge

Claire Blotter

Julia Blumenreich

Gloria Bowles

Melanie Braverman

(bio and working notes)

Works:
Four Poems – HOW(ever), January 1990 (Vol. 6 No. 1)

Glenna Breslin

Karen Brodine

Jacque Vaught Brogan

(bio and working notes)

Works:
:Like Escape From Hungary – HOW(ever), January 1990 (Vol. 6 No. 1)

from Making A Home – HOW(ever), January 1990 (Vol. 6 No. 1)

Nicole Brossard

Olga Broumas

Evangeline Brown

Marisa Bulgheroni

Carolyn Burke

Mary Butts

Marsha Campbell

Lori Chamberlain

Theresa Hak Kyung Cha

Works:
from Dictee – HOW(ever), October, 1988 (Vol. 5 No. 1)

about:
ERASURE/RESTORATION, Theresa Hak Kyung Cha – HOW(ever), October, 1988 (Vol. 5 No. 1)

Laura Chester

(bio and working notes to Free Rain) – HOW(ever), October, 1987 (Vol. 4 No. 2)

Works:
Part of “Five Poets in Prose” feature – HOW(ever), February, 1985 (Vol. 2 No. 2)

from Free Rein – HOW(ever), October, 1987 (Vol. 4 No. 2)

Killarney Clary

Works:
Part of the “Other Landscapes: Poem Prose by Seven Writers” feature – HOW(ever), January, 1986 (Vol. 3 No. 1)

Norma Cole

(bio and working notes to METAMORPHOPSIA and ALS) – HOW(ever), April, 1988 (Vol. 4, No. 4)

Works:
Part of the “Words In Space: Poem Texts by Five Women Writers” feature, plus working notes – HOW(ever), November, 1985 (Vol. 2 No. 4)

METAMORPHOPSIA – HOW(ever), April, 1988 (Vol. 4, No. 4)
ALS – HOW(ever), April, 1988 (Vol. 4, No. 4)

alerts(
A NOTE ON ANNE-MARIE ALBIACH’S WRITING – HOW(ever), April, 1988 (Vol. 4 No. 4)

postcards
HOW(ever), January, 1988 (Vol. 4 No. 3)

Anna Cusenza

(bio and working notes) – HOW(ever), October, 1986 (Vol. 3 No. 3)

Works:
Cipher – HOW(ever), October, 1986 (Vol. 3 No. 3)

Beverly Dahlen

(bio and working notes to Wuthering Heights) – HOW(ever), October, 1986 (Vol. 3 No. 3)

Works:

Wuthering Heights (an excerpt) – HOW(ever), October, 1986 (Vol. 3 No. 3)

alerts(

Notes on Reading Lorine Niedecker, with Kathleen Fraser and Frances Jaffer – HOW(ever), May, 1983 (Vol. 1 No. 1)

Response to: "A Renaissance of Women Writers", by Jed Rasula (Sulfur, no.7, 1983) (with comments from Kathleen Fraser), HOW(ever), October, 1983 (Vol. 1 No. 2)

postcards

Reply to Jed Rasula – HOW(ever), May, 1984 (Vol. 1 No. 4)

With Rachel Blau DuPlessis – HOW(ever), November, 1985 (Vol. 2 No. 4)

Dale Davis

postcards
HOW(ever), October, 1986 (Vol. 3 No. 3)

Lydia Davis

alerts(
Form as response to doubt – HOW(ever), October, 1987 (Vol. 4 No. 2)

Marianne DeKoven

alerts(
TWO REAPPRECIATIONS OF GERTRUDE STEIN (with Lynn Luria-Sukenick) – HOW(ever), January, 1986 (Vol. 3 No. 1)

Kate Delos

(bio and working notes to I / Somnus) – HOW(ever), October, 1986 (Vol. 3 No. 3)

Works:
I / Somnus (with Rena Rosenwasser) – HOW(ever), October, 1986 (Vol. 3 No. 3)

Patricia Dienstfrey

(bio and working notes to The Veil) – HOW(ever), October, 1987 (Vol. 4 No. 2)

Works:
The Veil – HOW(ever), October, 1987 (Vol. 4 No. 2)

alerts(
HOW(ever), February, 1984 (Vol. 1 No. 3)

Sally Doyle

(bio and working notes to Shepherding) – HOW(ever), April, 1989 (Vol. 5 No. 3)

Works:
from Shepherding – HOW(ever), April, 1989 (Vol. 5 No. 3)

Genevieve Duboscq

postcards
HOW(ever), May, 1984 (Vol. 1 No. 4)

Rachel Blau DuPlessis

(bio and working notes) – HOW(ever), May, 1985 (Vol. 2 No. 3)

Works:
Writing, an excerpt – HOW(ever), May, 1985 (Vol. 2 No. 3)

alerts(
HOW(ever), February, 1984 (Vol. 1 No. 3)
The Work of Susan Howe – HOW(ever), May, 1984 (Vol. 1 No. 4)
NO MOORE OF THE SAME – HOW(ever), January, 1988 (Vol. 4 No. 3)

postcards
With Beverly Dahlen – HOW(ever), November, 1985 (Vol. 2 No. 4)
HOW(ever), October, 1987 (Vol. 4 No. 2)

Talli Ebin

(bio and working notes to Present Danger) – HOW(ever), April, 1988 (Vol. 4 No. 4)

Works:
from Present Danger – HOW(ever), April, 1988 (Vol. 4 No. 4)

alerts(
MARIANNE MOORE: A SEARCH FOR LANGUAGE – HOW(ever), January, 1988 (Vol. 4 No. 3)

Kerry Edwards

alerts(
Listening to Feminism – HOW(ever), April, 1989 (Vol. 5 No. 3)

Barbara Einzig

Works:
Part of the “Other Landscapes: Poem Prose by Seven Writers” feature – HOW(ever), January, 1986 (Vol. 3 No. 1)

postcards
HOW(ever), October, 1986 (Vol. 3 No. 3)

Lisa Pater Faranda

RE: Lorine Niedecker by Lisa Pater Faranda, alerts( – HOW(ever), October, 1983 (Vol. 1 No. 2)

Laura Feldman

(bio and working notes to /Pinecrest 7/1/87/) – HOW(ever), October, 1988 (Vol. 5 No. 1)

Works:
/Pinecrest 7/1/87/ – HOW(ever), October, 1988 (Vol. 5 No. 1)

Kathleen Fraser

(bio and working notes to boundayr) – HOW(ever), April, 1987 (Vol. 4 No. 1)

Works:

boundayr – HOW(ever), April, 1987 (Vol. 4 No. 1)

alerts(

Notes on Reading Lorine Niedecker, with Frances Jaffer and Beverly Dahlen – HOW(ever), May, 1983 (Vol. 1 No. 1)

Response to: "A Renaissance of Women Writers", by Jed Rasula (Sulfur, no.7, 1983) (with comments from Beverly Dahlen) – HOW(ever), October, 1983 (Vol. 1 No. 2)

postcards
(In response to Daphne Marlatt) – HOW(ever), January, 1989 (Vol. 5 No. 2)

Sue Gangel

Works:

Components of a 20th Century Romance (plus bio and working notes) – HOW(ever), May, 1984 (Vol. 1 No. 4)

Cynthia Kraman Genser

Works:
Part of the “Bodies In Line: Shapes of the Poem by Five Writers” feature – HOW(ever), April, 1986 (Vol. 3 No. 2)

Susan Gevirtz

(bio and working notes to Who can speak, cough or breathe) – HOW(ever), January, 1987 (Vol. 3 No. 4)

Works:
Who can speak, cough or breathe – HOW(ever), January, 1987 (Vol. 3 No. 4)

alerts(
DOROTHY RICHARDSON (with Barbara Guest) – HOW(ever), April, 1986 (Vol. 3 No. 2)

Ruthe Gladstone

(bio and working notes to Mid Air Refueling) – HOW(ever), January, 1988 (Vol. 4 No. 3)

Mid Air Refueling – HOW(ever), January, 1988 (Vol. 4 No. 3)

Diane Glancy

Works:
Part of the “Words In Space: Poem Texts by Five Women Writers” feature, plus working notes – HOW(ever), November, 1985 (Vol. 2 No. 4)

postcards
HOW(ever), November, 1985 (Vol. 2 No. 4)

HOW(ever), October, 1989 (Vol. 5 No. 4)

Ann Gleeson

Works:
Part of the “Bodies In Line: Shapes of the Poem by Five Writers” feature – HOW(ever), April, 1986 (Vol. 3 No. 2)

Paula Gocker

postcards
HOW(ever), January, 1987 (Vol. 3 No. 4)

Barbara Guest

(bio and working notes) – HOW(ever), February, 1984 (Vol. 1 No. 3)

Works:
from The Türler Losses – HOW(ever), February, 1984 (Vol. 1 No. 3)

alerts(
DOROTHY RICHARDSON (with Susan Gevirtz) – HOW(ever), April, 1986 (Vol. 3 No. 2)

MYSTERIOUSLY DEFINING THE MYSTERIOUS: BYZANTINE PROPOSALS OF POETRY – HOW(ever), October, 1986, (Vol. 3 No. 3)

postcards
HOW(ever), November, 1984 (Vol. 2 No. 1)
HOW(ever), April, 1988 (Vol. 4 No. 4)

Joanna Gunderson

(bio and working notes to Wind and Mrs. Mann) – HOW(ever), April, 1989 (Vol. 5 No. 3)

Works:
from Wind – HOW(ever), April, 1989 (Vol. 5 No. 3)
from Mrs. Mann – HOW(ever), April, 1989 (Vol. 5 No. 3)

Carla Harryman

Works:
Part of “Five Poets in Prose” feature – HOW(ever), February, 1985 (Vol. 2 No. 2)

Eva Heisler

Works:
Part of the “Bodies In Line: Shapes of the Poem by Five Writers” feature – HOW(ever), April, 1986 (Vol. 3 No. 2)

Lyn Hejinian

About:
Lyn Hejinian’s “The Guard” by Rae Armantrout, in alerts( – HOW(ever), February, 1985 (Vol. 2 No. 2)
HOW(ever), October, 1987 (Vol. 4 No. 2)

Cynthia Hogue

(bio and working notes to Rhapsody in Hand(s)) – HOW(ever), October, 1989 (Vol. 5 No. 4)

Works:
Rhapsody in Hand(s) – HOW(ever), October, 1989 (Vol. 5 No. 4)

Fanny Howe

(bio and working notes) – HOW(ever), November, 1984 (Vol. 2 No. 1)

Works:
Palms – HOW(ever), November, 1984 (Vol. 2 No. 1)

alerts(
Quick Notes on Lyric Prose – HOW(ever), February, 1985 (Vol. 2 No. 2)

Susan Howe

(bio and working notes to Nether John And John Harbinger) – HOW(ever), October, 1989 (Vol. 5 No. 4)

Works:
from Nether John And John Harbinger – HOW(ever), October, 1989 (Vol. 5 No. 4)

alerts(
SOME NOTES ON VISUAL INTENTIONALITY IN EMILY DICKINSON – HOW(ever), January, 1987 (Vol. 3 No. 4)

postcards
HOW(ever), November, 1984 (Vol. 2 No. 1)

HOW(ever), January, 1989 (Vol. 5 No. 2)

Mary Jacobus

postcards
HOW(ever), May, 1985 (Vol. 2 No. 3)

Frances Jaffer

(bio and working notes) – HOW(ever), January, 1988 (Vol. 4 No. 3)

Works:

Do Well – HOW(ever), January, 1988 (Vol. 4 No. 3)
Lodging – HOW(ever), January, 1988 (Vol. 4 No. 3)

alerts(

Notes on Reading Lorine Niedecker, with Kathleen Fraser and Beverly Dahlen – HOW(ever), May, 1983 (Vol. 1 No. 1)

postcards

In reply to Dodie Bellamy – HOW(ever), October, 1983 (Vol. 1 No. 2)

Honor Johnson

(bio and working notes) – HOW(ever), February, 1985 (Vol. 2 No. 2)

Works:
Juan Gris as a Dark Rose in Juan Gris – HOW(ever), February, 1985 (Vol. 2 No. 2)

alerts(
BARBARA GUES AND LYRIC ATMOSPHERES – HOW(ever), February, 1984 (Vol. 1 No. 3)

Johanna Jordahl

(bio and working notes) – HOW(ever), May, 1983 (Vol. 1 No. 1)

Works:

For the rest of it - HOW(ever), May, 1983 (Vol. 1 No. 1)

The Etiquette of Romance - HOW(ever), May, 1983 (Vol. 1 No. 1)

Walls - HOW(ever), May, 1983 (Vol. 1 No. 1)

Karen Kelley

postcards
HOW(ever), October, 1989 (Vol. 5 No. 4)

Myung Mi Kim

(bio and working notes) – HOW(ever), January, 1988 (Vol. 4 No. 3)

Works:
From The Sea On To The Land – HOW(ever), January, 1988 (Vol. 4 No. 3)

alerts(
From a Far: Dictee – HOW(ever), October, 1988 (Vol. 5 No. 1)

Patricia Kirkpatrick

Works:
Part of the “Other Landscapes: Poem Prose by Seven Writers” feature – HOW(ever), January, 1986 (Vol. 3 No. 1)

Phyllis Koestenbaum

Works:
Part of the “Words In Space: Poem Texts by Five Women Writers” feature, plus working notes – HOW(ever), November, 1985 (Vol. 2 No. 4)

Elizabeth Lahey

Works:
from Tele: A Narrative (plus bio and working notes), with Meredith Stricker – HOW(ever), January, 1989 (Vol. 5 No. 2)

Jeanne Lance

Works:
Part of “Five Poets in Prose” feature – HOW(ever), February, 1985 (Vol. 2 No. 2)

Sister Lucy

Works:
from postcard art

Marina DeBellagente laPalma

alerts(
Marina DeBellagente laPalma on Marina DeBellagente laPalma, Sound Collagist – HOW(ever), April, 1987 (Vol. 4 No. 1)

Lori Lubeski

Works:
Part of the “Other Landscapes: Poem Prose by Seven Writers” feature – HOW(ever), January, 1986 (Vol. 3 No. 1)

Lynn Luria-Sukenick

alerts(
TWO REAPPRECIATIONS OF GERTRUDE STEIN (with Marianne DeKoven) – HOW(ever), January, 1986 (Vol. 3 No. 1)

Kathryn Macleod

(bio and working notes to Houseworks) – HOW(ever), October, 1989 (Vol. 5 No. 4)

from Houseworks – HOW(ever), October, 1989 (Vol. 5 No. 4)

Daphne Marlatt

(bio and working notes) – HOW(ever), February, 1984 (Vol. 1 No. 3)

Works:

How Hug A Stone (excerpts) – HOW(ever), February, 1984 (Vol. 1 No. 3)

postcards
(with response by Kathleen Fraser) – HOW(ever), January, 1989

Paula Metallo

Works:
save it for a rainy day, and working notes – HOW(ever), April, 1987 (Vol. 4 No. 1)

Jane Miller

Works:
Part of the “Other Landscapes: Poem Prose by Seven Writers” feature (with Olga Broumas) – HOW(ever), January, 1986 (Vol. 3 No. 1)

alerts(
Cataract: Appreciating Jane Bowles – HOW(ever), October, 1988 (Vol. 5 No. 1)

postcards
HOW(ever), February, 1985 (Vol. 2 No. 2)

Jean Miller

(bio and working notes to Thinking About Work) – HOW(ever), January, 1987 (Vol. 3 No. 4)

Works:
Thinking About Work – HOW(ever), January, 1987 (Vol. 3 No. 4)

alerts(
HOW(ever), February, 1984 (Vol. 1 No. 3)

postcards
HOW(ever), April, 1987 (Vol. 4 No. 1)

Trinh T. Minh-ha

Works:
from Woman, Native, Other – HOW(ever), January, 1990 (Vol. 6 No. 1)

alerts(
The Activity of Writing – HOW(ever), October, 1989 (Vol. 5 No. 4)

Marianne Moore

About:
MARIANNE MOORE, an updated supplementary bibliography – HOW(ever), January, 1988 (Vol. 4 No. 3)

Laura Moriarty

(bio and working notes) – HOW(ever), November, 1984 (Vol. 2 No. 1)

Works:
Six Rondeau – HOW(ever), November, 1984 (Vol. 2 No. 1)

Wendy Mulford

Works:
Part of the “Bodies In Line: Shapes of the Poem by Five Writers” feature – HOW(ever), April, 1986 (Vol. 3 No. 2)

Maria Negroni

(bio and working notes)

Works:
from Luces en la Jaula / Lights in the Cage – HOW(ever), January 1990 (Vol. 6 No. 1)

Giulia Niccolai

Works:
Part of the “Words In Space: Poem Texts by Five Women Writers” feature, plus working notes – HOW(ever), November, 1985 (Vol. 2 No. 4)

Linda Norton

(bio and working notes to Linen Song) – HOW(ever), October, 1987 (Vol. 4 No. 2)

Works:
Linen Song – HOW(ever), October, 1987 (Vol. 4 No. 2)

Alice Notley

(bio and working notes) – HOW(ever), October, 1989 (Vol. 5 No. 4)

from a long poem in progress – HOW(ever), October, 1989 (Vol. 5 No. 4)

Eileen Callahan O Malley

alerts(
From A Letter On Mary Butts with work by O Malley, Butts, Wagstaff – HOW(ever), May, 1985 (Vol. 2 No. 3)

Alicia Ostriker

alerts(
No Rule of Procedure: H.D. and Open Poetics – HOW(ever), October 1989 (Vol. 5 No. 4)

Maureen Owen

(bio and working notes) – HOW(ever), October, 1983 (Vol. 1 No. 2)

Works:

AMELIA EARHART, excerpts from a work-in-progress – HOW(ever), October, 1983 (Vol. 1 No. 2)

Jenny Penberthy

postcards
HOW(ever), April, 1987 (Vol. 4 No. 1)

Jacqueline Quinn

(bio and working notes) – HOW(ever), October, 1983 (Vol. 1 No. 2)

Works:

Black and Orange – HOW(ever), October, 1983 (Vol. 1 No. 2)

Hackamore – HOW(ever), October, 1983 (Vol. 1 No. 2)

Pumpkin – HOW(ever), October, 1983 (Vol. 1 No. 2)

Celeriac – HOW(ever), October, 1983 (Vol. 1 No. 2)

Jed Rasula

postcards
postcard with reply from Beverly Dahlen – HOW(ever), May, 1984 (Vol. 1 No. 4)

Robin Reagler

(bio and working notes to As I / As / I) – HOW(ever), April, 1989 (Vol. 5 No. 3)

Works:
As I / As / I – HOW(ever), April, 1989 (Vol. 5 No. 3)

Susan Roberts

(bio and working notes to Cherries in the Afternoon) – HOW(ever), October, 1987 (Vol. 4 No. 2)

Works:
from Cherries in the Afternoon – HOW(ever), October, 1987 (Vol. 4 No. 2)

Elizabeth Robinson

(bio and working notes) – HOW(ever), January, 1989 (Vol. 5 No. 2)

Works:
Tree, Forest – HOW(ever), January, 1989 (Vol. 5 No. 2)
Lesbia's Sparrows – HOW(ever), January, 1989 (Vol. 5 No. 2)
Easter Woman – HOW(ever), January, 1989 (Vol. 5 No. 2)
Immolation – HOW(ever), January, 1989 (Vol. 5 No. 2)
Electrical Things – HOW(ever), January, 1989 (Vol. 5 No. 2)

Rena Rosenwasser

(bio and working notes to I / Somnus) – HOW(ever), October, 1986 (Vol. 3 No. 3)

Works:
I / Somnus (with Kate Delos) – HOW(ever), October, 1986 (Vol. 3 No. 3)

postcards
HOW(ever), January, 1988 (Vol. 4 No. 3)

Camille Roy

(bio and working notes to Theory) – HOW(ever), January, 1988 (Vol. 4 No. 3)

Works:
Theory – HOW(ever), January, 1988 (Vol. 4 No. 3)

Althea St. Amand

Interception: a pantoum – HOW(ever), October, 1989 (Vol. 5 No. 4)

Giovanna Sandri

(bio and working notes to Four Poems) – HOW(ever), October, 1989 (Vol. 5 No. 4)

Works:
Four Poems – HOW(ever), October, 1989 (Vol. 5 No. 4)

Mira Schor

postcards
Comments on The Mail Art of Susan E. King – HOW(ever), April, 1989 (Vol. 5 No. 3)

Gail Sher

Works:

Also as a child she had wanted to eat – HOW(ever), May, 1983 (Vol. 1 No. 1)

alerts(
Intimacy of the Silence – HOW(ever), May, 1984 (Vol. 1 No. 4)

Margy Sloan

Works:
Part of “Five Poets in Prose” feature – HOW(ever), February, 1985 (Vol. 2 No. 2)

alerts(
ON METAMORPHOPSIA BY NORMA COLE – HOW(ever), April, 1989 (Vol. 5 No. 3)

postcards
HOW(ever), April, 1988 (Vol. 4 No. 4)

Martha Nell Smith

postcards
HOW(ever), October, 1988 (Vol. 5 No. 1)

Virginia L. Smyers

postcards
HOW(ever), October, 1986 (Vol. 3 No. 3)

Pamela Stewart

(bio and working notes to BURNTPAPER: S.E.P.A.R.A.T.I.O.N.S.) – HOW(ever), April, 1987 (Vol. 4 No. 1)

Works:
BURNTPAPER: S.E.P.A.R.A.T.I.O.N.S. – HOW(ever), April, 1987 (Vol. 4 No. 1)

Ruth Stone

alerts(
HOW(ever), February, 1984 (Vol. 1 No. 3)

Phyllis Stowell

(bio and working notes to #100 and 2) – HOW(ever), April, 1989 (Vol. 5 No. 3)

Works:
#100 and 2 – HOW(ever), April, 1989 (Vol. 5 No. 3)

Meredith Stricker

(bio and working notes to The Queen Bee) – HOW(ever), October, 1988 (Vol. 5 No. 1)

Works:
The Queen Bee – HOW(ever), October, 1988 (Vol. 5 No. 1)
new species – HOW(ever), October, 1989 (Vol. 5 No. 4)

from Tele: A Narrative (plus bio and working notes), with Elizabeth Lahey – HOW(ever), January, 1989 (Vol. 5 No. 2)

alerts(
Some thoughts about erasure – HOW(ever), October, 1988 (Vol. 5 No. 1)

Susan Marie Swanson

(bio and working notes to Winters of the Girl of Speckled Cloth/Children and Boat) – HOW(ever), January, 1987 (Vol. 3 No. 4)

Works:
Winters of the Girl of Speckled Cloth/Children and Boats – HOW(ever), January, 1987 (Vol. 3 No. 4)

Heather Thomas

(bio and working notes to Custody) – HOW(ever), October, 1989 (Vol. 5 No. 4)

Works:
Custody – HOW(ever), October, 1989 (Vol. 5 No. 4)

Madeline Tiger

(bio and working notes to Dvorak in a concert hall: Crows/Orchid) – HOW(ever), April, 1987 (Vol. 4 No. 1)

Works:
Dvorak in a concert hall: Crows/Orchid) – HOW(ever), April, 1987 (Vol. 4 No. 1)

Robin Tremblay-McGaw

(bio and working notes to fictions) – HOW(ever), April, 1989 (Vol. 5 No. 3)

Works:
fictions – HOW(ever), April, 1989 (Vol. 5 No. 3)

Chris Tysh

(bio and working notes) – HOW(ever), May, 1985 (Vol. 2 No. 3)

Works:
PORNE, an excerpt – HOW(ever), May, 1985 (Vol. 2 No. 3)

alerts(
L'ecriture Courante of Marguerite Duras – HOW(ever), May, 1985 (Vol. 2 No. 3)

METAFICTIONS OF NICOLE BROSSARD – HOW(ever), January, 1987 (Vol. 3 No. 4)

Jane Underwood

(bio and working notes to Four Poems) – HOW(ever), January, 1989 (Vol. 5 No. 2)

Works:
Four Poems – HOW(ever), January, 1989 (Vol. 5 No. 2)

Julia Vose

(bio and working notes to A Depth of Pink) – HOW(ever), October, 1986 (Vol. 3 No. 3)

A Depth of Pink – HOW(ever), October, 1986 (Vol. 3 No. 3)

Barbara Wagstaff

alerts(
From A Letter On Mary Butts with work by O Malley, Butts, Wagstaff – HOW(ever), May, 1985 (Vol. 2 No. 3)

Rosemarie Waldrop

(bio and working notes to Inserting the Mirror) – HOW(ever), October, 1987 (Vol. 4 No. 2)

Works:
from Inserting the Mirror – HOW(ever), October, 1987 (Vol. 4 No. 2)

Diane Ward

(bio and working notes) – HOW(ever), January, 1990 (Vol. 6 No. 1)

Works:

Phyllis Webb

(bio)

Works:
Four Anti-ghazals

Hannah Weiner

(bio and working notes to WEEKS) – HOW(ever), January, 1987 (Vol. 3 No. 4)

Works:
from WEEKS – HOW(ever), January, 1987 (Vol. 3 No. 4)

Marjorie Welish

(bio and working notes to A Way of Life and Institutions To Be Left Obscure) – HOW(ever), October, 1989 (Vol. 5 No. 4)

Works:
A Way of Life – HOW(ever), October, 1989 (Vol. 5 No. 4)
Institutions To Be Left Obscure – HOW(ever), October, 1989 (Vol. 5 No. 4)

Janice Williamson

postcards
HOW(ever), November, 1985 (Vol. 2 No. 4)

HOW(ever), January, 1986 (Vol. 3 No. 1)

Deborah Woodard

Works:
Part of the “Bodies In Line: Shapes of the Poem by Five Writers” feature – HOW(ever), April, 1986 (Vol. 3 No. 2)

alerts(
MASQUERADING: EDNA ST. VINCENT MILLAY AND NANCY BOYD – HOW(ever), October, 1989 (Vol. 5 No. 4)

postcards
HOW(ever), January, 1989 (Vol. 5 No. 2)